Digesting Joyce: The Reception of Ulysses in Brazil and Brazilian Modernism

Abstract

The article addresses the relationship between James Joyce, especially his masterpiece "Ulysses," and Brazilian modernism, highlighting the reception and influence of the Irish author in the Brazilian literary scene. Marked by the technique of stream of consciousness and the unique approach to everyday life, the initial reception of "Ulysses" in Brazil was mainly through the recognition of figures such as Mário de Andrade, Gilberto Freyre, and Sérgio Buarque de Holanda. The Week of Modern Art of 1922 is pointed out as a historical milestone for both Brazilian modernism and the publication of "Ulysses," emphasizing the mutual influence between these literary movements. The article also analyzes Joyce's critical reception in Brazil over time, from the early decades of the 20th century to the present day, highlighting the role of translations in the dissemination and renewal of Joyce's work. Finally, the continuous effort of Brazilian translators and publishers to bring new perspectives and reissues of Joyce's works is highlighted, maintaining its relevance and impact on world literature.