Imagens (co)movidas: relações entre poesia e cinema na escrita de Manuel Gusmão

Abstract

The article aims to provide a brief overview of Manuel Gusmão’s poetry – Portuguese poet and literary essay writer –, emphasizing the cinematographic dynamic 
that co-mmove the verbal-visual materiality of the poems. In this sense, we develop  reflections on the theorization of image and on the ethics of the act of looking based on  the imagetic procedures established in the poet's critic lyricism in the scope of the  Portuguese contemporary poetry