Formação, deformação e re-formação do super-herói: a trilogia Batman de Christopher Nolan

Abstract

In this essay one analyses three Christopher Nolan’s movies: Batman begins, The dark knight and The dark knight rises. The cinematographic narrative of that trilogy focus the identity question and the super-heroe’s process of formation, deformation and here so-called re-formation. One aims to understand the structure and the meaning of that film adaptation of one of the most popular characters on comic strips. In order to do so, one bases on Bildungsroman literary concept.