Fascism and barbarism: the artistic manifestations under attacks in Bolsonaro’s Brazil.

Authors

  • Adriano Nunes Author

Abstract

Assuming that fascism is an ideology and that there is no way to destroy an idea in the phenomenal world, this article aims to analyze some Brazilian factual events related to the rise of bolsonarismo, exposing, through speeches, acts and practices engendered by Jair Bolsonaro and his supporters that, exalting an exacerbated patriotism, 
an anti-left policy as a combat tactic, an arms and fundamentalist agenda, mobilized and mobilize an emotional and uncritical mass that, when instrumentalized, presents itself as an entourage of a political religion, making explicit a cult of the Head of State as a divine entity, a cult of violent man and violence, and a cult of ignorance, manifested, for 
example, by contempt for modern cultural and artistic manifestations and violent 
repudiation against artists and intellectuals. These traits, under this analytical-critical perspective, can be understood as a manifestations of fascism.

Author Biography

  • Adriano Nunes

    Possui graduação em Medicina, pela Universidade Federal de Alagoas (2000) e em Direito, pela Universidade Federal de Alagoas (2018), mestrado em Sociologia pela Universidade Federal de Alagoas (2018). Funcionário público federal. Atualmente é pesquisador no grupo de pesquisa sobre violência, da Sociologia/UFAL, coordenado pelo prof. dr. Emerson do Nascimento. Tradutor com fluência em grego antigo, latim clássico, inglês, inglês elizabetano, francês, alemão, italiano, espanhol e russo.  Poeta, com 4 livros de poemas publicados. 

Published

2024-01-27